The many aspects of love flow through the universe to bring a rhythm to each particle and atom. It is the song of a universal anthem that bespeaks the love that is of all. We hear the humming of the bees and the birdsong thrilling through the breeze. And it brings with it, the multitude of sounds that echo from the mountains and crevasses.
We are the children of a universal oneness. This informs our senses with the music that abounds in all aspects of life. The manifold impulses tremble through the land; and they bring into dimensional impetus, the range of musical notes that is known to humankind. These unfolding sounds bring forth the intentional states of being that transpire with each passing moment, into the varied melodies that echo as the multitude go tramping along the grassy plains.
We are always at the forefront of a message that is of love. It is a love born of a living and breathing altruistic formation that arises from all the efforts that simultaneously engage the brimming and teeming assiduities. These abound within the passages of a living and demarcated environment that is rife with all forms of life. We are sensitive to the notion that the many and varied forms indicate that we are the essence of a multitudinal, effective, ornamental individuation. This brings forth all the forces of a love that is of all.
In the flow of life, we concur that all is of a loving and living being. This brings joy and love to all who aim to sing of a land that is born of an elemental and adamantine aegis. And it broadly gainsays the tributes that align with the merriment of the energetic forces of light.
We are all in tune with the insignificant and assured aspirations of a dawning light that brings the new dawn into focus. And we aspire to imagine the tawdry impulses that stain the magnificence and the ardor of a spring that emanates from the rocky glen, as it sings its ardent tune along the banks of a meandering stream in full flood. These aspects of a form that inspires these sounds that brim with the glorious and the sublime. They are features that allow for all to listen to the whisper of the syntonic adventures that bring forth the adulation and the merrymaking of the animals at play.
We seek to inspire the forlorn hearts that display a dystonic and serious visage, to hear the sounds of music as they emanate from the many and varied allurements. These give meaning to the desolate and dreary assimilations that provide the musings of a transcendent apparition or a purposeful entity of love. The imagery unfolds within the landscape of time, measured by the tenor of the impressionable relief that beholds the similarities of a verdant and arid mode of descriptive nuance and limn.
We are always intent on the promises that hold sway in the teeming insinuations of a world, foresworn to be the natural and benign assignment in a purposeful and insidious alignment. It bespeaks the harmony of a love that is the desire of all. We are prepared to engage the forces of a divine and enthralling impresario that seeks to orchestrate the musical intonations within the foreground of a landscape. This is mirrored in the formations of a universally arranged instrument that belies the sacredness and the divine relationships that engender the songs of the universe.
In this universal entreaty, we see the alignments that allow for the sounds that travel beyond space and time to deliver the far flung intonations of a love that is in and of everything. We are the musical notes that tender the harmony and the song. For we are the instruments by which each element is devised to conjure the spirit of harmony and engage the allurements that dwell within each and everyone.
The distinctive features are placed within the foreground of a challenging and well-designed intent, to be the love that is of all. For only love can hear the melody and transmit the energy through the airwaves of time and space. And only love can be considered the instrument that is designed to frame the existential and illuminated facets of a universe bereft of love. In each of these ensuing past times, the forces of love belong to the universal oneness.
This oneness is in tune with all the parameters that meet the indicators, through which each unfolding assimilation becomes the minuet and the beacon of a long-held desire. It is a desire to bring forth the similitude of a fragmentary and descant lore within the paradigm of a shifting and stable domain. We are always impressed with the fluidity with which the love song of the universe becomes the entail through which love is ever enduring, and the foundation of a universal theme that begins and ends with love. For love is all there is and there is nothing that is not in and of love within the universal framework of a living and changeable design molded by love.
